Uses a critical psychology approach that looks at body-image as a complex phenomenon with no easy, clean-cut or self-evident accounts Offers an innovative and important development in body image research that uses poststructualist and psycho-social frameworks; and it develops postfeminist sensibility research by bringing to the fore its previously implicit engagement with body image Situated in the new 'post digital cultures' field developing out of the normalisation of the digital and the blurring of on/offline subjectivity and practice

Uses a critical psychology approach that looks at body-image as a complex phenomenon with no easy, clean-cut or self-evident accounts Offers an innovative and important development in body image research that uses poststructualist and psycho-social frameworks; and it develops postfeminist sensibility research by bringing to the fore its previously implicit engagement with body image Situated in the new 'post digital cultures' field developing out of the normalisation of the digital and the blurring of on/offline subjectivity and practice

Perfect complement to empiricist perspective on women's health psychology Cross disciplinary author team (psychology and media) will give the book broad appeal Suitable for both upper level undergraduates and postgraduate students and researchers Provides critical perspective on key issues within gender and health psychology, including body image and sexual health

Perfect complement to empiricist perspective on women's health psychology Cross disciplinary author team (psychology and media) will give the book broad appeal Suitable for both upper level undergraduates and postgraduate students and researchers Provides critical perspective on key issues within gender and health psychology, including body image and sexual health

This book offers a trailblazing account of postfeminist sensibility as a digital feeling that shapes how we understand the world around us. It explores how we feel in a world where the digital has become intertwined with our intimate relationships to ourselves and to others. The book develops a novel approach that draws on feminist theories of affect, emotion, and structures of feeling, to analyse the entanglements of the digital and the non-digital, and the public and the private, and to show how good feeling shapes a contemporary moment that often leads us back to normativity and reproduces systemic inequality. This is achieved through several different digital media spheres, including: the Instagram account Barbie Savior, #fitspo content, TikTok influencers and their Get Ready With Me videos, the archive of hot men on TubeCrush, and the intimacies of the internet cat, suggesting that each offers a snapshot of our current emotional landscapes.

Marriage is in crisis. The divorce rate is high and both men and women have gravitated to roles that are unstable, unhealthy and unnatural. The thing that we desire the most seems to give the most turmoil. How can it be that God created marriage as the foundational relationship for society and yet it is the most difficult of relationships? How is it that God said, "It is not good for man to be alone," yet every time man and woman get together their union brings more smoke than fire? Is it the two becoming one that creates the problem or the choices we make in marriage? God has a wonderful plan for marriage that carefully blooms into a delightful union when you choose Him as your guide. Every woman who desires a marriage "made in heaven" will appreciate Adrienne's honest, open and real approach to the difficult areas of marriage. She shares real life experiences that inspire, encourage and re-affirm the value of womanhood and the beauty of holy matrimony.

Marriage is in crisis. The divorce rate is high and both men and women have gravitated to roles that are unstable, unhealthy and unnatural. The thing that we desire the most seems to give the most turmoil. How can it be that God created marriage as the foundational relationship for society and yet it is the most difficult of relationships? How is it that God said, "It is not good for man to be alone," yet every time man and woman get together their union brings more smoke than fire? Is it the two becoming one that creates the problem or the choices we make in marriage? God has a wonderful plan for marriage that carefully blooms into a delightful union when you choose Him as your guide. Every woman who desires a marriage "made in heaven" will appreciate Adrienne's honest, open and real approach to the difficult areas of marriage. She shares real life experiences that inspire, encourage and re-affirm the value of womanhood and the beauty of holy matrimony.

Key cultural shifts have enabled a "new sexualization" of women. Neoliberal, consumerist, and postfeminist media culture have shaped ways of understanding female sexuality, embodied by the figure of the choosing, empowered, entrepreneurial consumer citizen-woman, whose economic capital determines feminine success (and failure). Informed by older constructs of privilege such as class, sexuality, race and (dis)ability, this version of sexiness also constrains by folding contemporary femininity back into previous panics about youth, excess, "bad" consumption, and appropriate feminine behavior. In Technologies of Sexiness, Adrienne Evans and Sarah Riley identify how current understandings of sexiness in public life and academic discourse have produced a "doubled stagnation," cycling around old debates without forward momentum. Developing a theoretical and methodological framework, they expand on the notion of a "technology of sexiness." They ask what happens and what is lost when people make sense of themselves within the complexities and contradictions of consumer-oriented constructs of sexiness. How do these discourses come to "transform the self"? This book provides a framework for understanding how women make sense of their sexual identities in the context of a feminization of sexual consumerism. The authors analyze material collected with two groups of women: the "pleasure pursuers" and "functioning feminists," who broadly occupy positions across the pre- and post-Thatcher eras, and the changes brought about by the feminist movement. As one of the first book-length empirical studies to explore age-related femininities in the context of what "sexiness" means today, the authors develop a series of insights into various "technologies of the self" through analyses of space, nostalgia, and claims to authentic sexiness.